Items · ICoDaCo_Delete_Account

Sooooo we went from doing the same, doing various different things in the same space to doing the same thing in three different spaces and creating different spaces to harbor the same things. Build on the happening slash open showing we did during the last residency.

Sassy Maidi

Soooo, we went from doing the same, doing various different things in the same space to doing the same thing in three different spaces and creating different spaces to harbor the same things. Build on the happening slash open showing we did during the last residency, tier 13

Joker Tier A4

It is all in the file

Joker Tier

For the Joker Tier, we chose to work again with Tier 12: Dramaturgy. This tier proved effective within our collective, allowing us to dig deeper into our practices and move away from our usual habits in the studio, which was very needed this week. We revisited a scene we had previously worked on during another residency, where urgency and spoken text played a central role. In this clip, we explored urgency and the need to draw attention to a specific point, this time without the use of text.

Taking care of cold feets

After some dancing with horses feets where cold. To get the circulation going a rubbing and activation was needed and pointed out as NOT being footmassageg. In giving and reciving we started to toss words around and a collective recordning. The workshop member aslo an expert on colletives since 20 years made my camera glitchy glitchy GOGO!

Describe why you chose this tier!

Describe why you chose this tier! We chose to revisit Tier 2, decision making as a collective, because our dynamic had shifted. Having spent more time together, we now understand each other better, allowing us to ask more precise questions and move beyond the earlier stages of open ended curiosity. At the same time, we were aware that we would be working with horses, introducing a new relationship between “us” as a collective and “the other.”

Dancing With Horses

Building trust and exploring the space. Dancing with Horses.

SWEDEN collective contribution

Collective drawing. A constant renegotiation of directions and who’s leading/following.

Light box

Playing how lights affects both skin and narrative of the scene.

A happyland

Reflection of the week. In hinsight.

Rain Thursday

A sound made for a person that are looking for their groove.

When…

A voice unfolds alongside the movement, speaking about hair — unruly, soft, wild. Small curls, tangled forms, something that resists being smoothed down or contained. It becomes a quiet celebration of what grows freely, of what refuses to behave. Somenthing worn, not hidden. Something carried with presence — like a crown.

How to dress the dead

Two bodies lie still, talking about their morning routines, as if the words can keep them somewhere else. As the conversation continues, "one other slowly dresses the other", layer by layer, in a calm and almost mechanical gesture. In the room, a one-year-old moves in and out of the scene, attempting to help in their own way. The ordinary and the unfamiliar exist side by side — a morning routine slightly displaced, where presence and absence begin to blur.

Dramaturgy of not having a plan

✨ENTER THE EMPTY STUDO WITH NO PLAN IN YOUR HEAD AND SEE WHAT HAPPENS. ❓What is the dramaturgy of not having a plan? Preparation: - Set up a timer to 1 hour (or more/ less) - Place empty a4 papers around the empty studio (preferably reusing paper) - place some pens around too - have your music device ready in case you want to play something Practice: - do whatever you want and write/draw/record important moments and thoughts through out this experience After: -if you have any materials after this, take a look at them after some time, and see if that can help you to build a dramaturgy (or any other aspect) of a work that you’re making. *in the picture is the collage of my ‘dramaturgy of not having a plan’.

Light face

This tear, I was researching how the lights can affect the expresions in the face

Inanimate lighting experiment

The light position is static and the actor is an inanimate puppet. Given these circumstances, the variables available are moving the body in space, thus changing its relationship to the light source and moving the frame to transform the visible composition.

Light - Trailer

SvětLo (WorldLight) explores the relationship between humans and the light of digital screens. It reflects society’s everyday obsession with glowing displays and asks what happens to our bodies and our relationships when we live in a state of constant online connection. This trailer captures my last performance before becoming a mother — a life change that pushed me to step away from devices and spend more time in the physical, real world.

Starter Tier 14

Starter tier 14

A GAME OF LIFE / gamemaster interface

A screenshot from the gamemaster interface of a participatory performance I am currently developing. By activating scenes, distributing performers across areas, and regulating the flow of instructions, the gamemaster and the underlying codebase shape the conditions under which actions emerge. The performance unfolds through the interaction between system architecture, operators’ decisions, and the avatars’ embodied interpretations of the instructions they receive via headphones. In this sense, dramaturgy becomes procedural and distributed.