ICoDaCo_Delete_Account

Items

• lunch break
  five minutes recording birds sining and drums drumming - how exciting!!
• Tom resonating
  This appeared during an improvisation based on I don’t remember what exactly. The sound efect you can hear is caused by a mask made of aluminium foil.
• clouds
  what is the body of cloud? To which politics is exposed? A body without fixed outline - that migrate - country - gender - opinion… clouds are collective - a cloud is breath air - and body politics starts on breath… control The cloud is a political body: collective, unstable, surveilled, and breathing. It has no border, yet it is constantly managed.
• wohnungsgeberbestätigung
  all medias comes from having a room, a house, to give shelter. This shelter has a price that forces us to work. Working for art industry gives us special benefits and deep problems when facing this obligation
• Carla inspirational work references
  A contribution that I find relevant to this tier is the inspirational work references I provided and the sound track that I recorded and mixed. Differently to last week we were focused in our collective and on construction & deconstruction
• Carla Body politics: Individual Collaboration
  A week of discovery of how to work in the collective and with special guests, refugees, from an Asylum Center in Holstebro, Denmark.
• Alex Mass-Producing Decision Graphs
  Committed to a score of mass-producing assumptions about decision-making processes in life and love and art and elsewhere, I set a timer and a parameter of colors to generate as many graphs within a limited timespan. Reading the dis/continuities of the assumptions shows the attunement to decision-making in many of my processes.
• Alex Brief summary
  The text is an attempted summary of my findings through sharing about my artistic research at the ICoDaCo residency. It concisely describes how my work tries to make sense of the sensations of the system within which I produce my art.
• Alex One articulation is through 1-2-3-4-5 words
  Grieving. Embodied grieving. Embodied grieving genocide. Embodied trans grieving genocide. Embodied trans femme grieving genocide
• (Alex) 3 topics / context / materials / theme
  I work with a methodology of consent. I work on two kinds of content / materialisation of the methodology within the context.
• Slow down
  Exercise - for minimum 1 hour (but I encourage you to try 6) move on 10% of your normal speed while simply doing everyday activities, like washing dishes, cooking, reading, scrolling on your phone, having a shower or dancing (of course). The life keeps moving fast outside of you, news in the background, water dripping because of the gravity. Can you slow down not just your limbs, but your thoughts as well? What is possible and what’s not? How full simple activities can feel? How time feels afterwards? This exercise can be seen simply as a form of meditation, as a way to practice controlled movement and awareness or as a quite protest against cult of productivity. Warning! don’t plan anything important afterwards, you might feel extremely tired especially if you chose to do it for 6 hours.
• fragments of notes
  Observations and questions from the work with objects.
• listening crack in the door
  During the week focused on sound, we invited Italian musician Elia Moretti, who is currently completing his doctoral research on the politics of listening. He led a small workshop for us on sound and listening. During one of the tasks, we were asked to listen to the room and to objects. This is one of the (short) recordings I made while listening through a crack in the door.
• Ghost of Maybe Forever
  Through a gradual process, we encountered an interesting task — “giggling joints” — and decided to work with it. During the process of exploration, a duet by Natália and Hanka emerged, which I navigated from the outside. This reflection is a record from an external perspective and a search for emotional references in the work Maybe Forever.
• Guess the sound and use as a rythm
  Paying attention to the sounds, this specific household sound made an impact on me and decided to record it. I will keep it as a secret but we all have done it many times in our homes. This little sprinkles reminded me of neural connections and improvising on this was also a very beautiful and calming experience
• Before Silence
  This Sound is a live sound recording done while visiting the exhibition about collapse "before silence" later we used this sounds to improvise on it and create ambience
• Talking about Venue Setting and Experience
  Reflection on our team work on performance setup for the audience
• Creation Process - my approach
  Sharing my creating process is reanalyzing my works and creative forces. I often wonder how does this things get connected so good so neatly? Is this how our mind works? Is this some "magic"? Or is this creativity in general? Who knowns... what I know for now is when you get in the creation process somehow new realm opens in your mind/consciousness, you become a vessel and something fills in you, that something gives you ideas, that something makes you wonder...
• Playlist of References
  In this given link i would love to present some of the referenced which were collected during this week's research process. Observing this directions inspires our creativity and pushes our limits into more creative approaches
• Personal Mixture of interests & ideas
  Brainstorming over the ideas which came to me during this period of time. Energy Consistency, Georgian Folklore and Natural Resources found some very interesting crossovers in my mind.
• What is dance for me? Personal reflection
  Within this document I wanted to share my personal reflection on the question of what dance in general is. I would go hours talking about its physical and philological states or impacts. Recently I got hooked on the myths and folklore of Georgia. These images are part of my research, researching dance "perpetuum mobile"
• What happens when you don’t get what you hoped for
  Some thoughts on the week we explored audiences experience and set up of the space… Thinking about audiences is perhaps our major commonality (in my opinion); the communal meeting point between three different artists with three different approaches from three different lived and artistic experiences.
• How was your arrival? Audience experience
  Interview about a fantasy audience experience and the spatial set up. Voice over by a BSL interpreter.
• How was your experience? Audiences and space
  How was your arrival? Transcript from the video on audience and spatial set up from the Wales Collective. You’ll explore how our fantasy work can be experienced.
• Begin with what is presenting itself…
  What are my content development strategies? It begins with something that is making itself know. I’ve been sitting with it a while most likely… I continue. A suggestion!