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Perspective - tier 12 individual contribution Looking at dramaturgy I’m interested in different points of view, especially the pointier something being created in real time whilst witnessing it from multiple perspectives: the audience, the performer, the stage, the setting, the projection
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𝔰𝔥𝔞𝔨𝔦𝔫𝔤 𝔪𝔶 𝔞𝔰𝔰 𝔦𝔰 𝔱𝔥𝔢 𝔬𝔫𝔩𝔶 𝔱𝔥𝔦𝔫𝔤 𝔩𝔢𝔣𝔱
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Collective experience A brief reflection on the collective state of being in a group.
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Life Nestled in Emptiness Emptiness and fullness, nothing and everything at once.
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Off-screen Video creation generated during rehearsals for research residency 12 - dramaturgy post-analysis of the starter referring to tier 2 of the Spanish team
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Objects people sounds space movement To be read alongside the video of the same title by the Wales Collective.
About dramaturgy developed through objects, sound and movement
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Objects people sounds space movement This excerpt shows a collision of elements, a mess through which moments of clarity emerge or are revealed. By sliding together object based tasks, movement based tasks and there is an unpredictable and unstable live dramaturg. Continue reading the pdf of the same name…
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Analysis of Dick-pong This document narrates the dramaturgical dynamics between the different elements in the scene that we chose to reenact this week. It is the so-called “Dick-pong” movement and character research from Tier 3 (Body Politics). Besides analyzing the original work, this writing also includes the cornerstones of this current week’s research that we spent in the studio.
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Bulls and bullets This video edit is a reimagination of the so-called Dick-Pong research that we engaged in during the week of dealing with Body Politics. It collects our interests toward dramaturgy and shifts the content of the initial research. We are interested in the extremities of hyper slowness and hyper stimulation, the element of surprise, onboarding the audience to the experience, different transitional solutions, intentions and the abstraction of narrative which results in pure rhythm. We individually generated practices for the weekly theme and proposed them to the group. The documentation of these practices had been used to make this video edit.
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Archive of material from summertime in Malmö It´s january and we are in Malmö. We re-visit the same site, beach by the ocean, that we visited in spring/summertime for residency in Malmö. A small photo from then makes it´s way into the now. Phot is frozen AND melted time!
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Persons transport is not allowed- Description Dramaturgy based on elements of play and group enjoyment in coexistence with the immensity of nature, extrapolating this relationship to an indoor space.
The technical elements include the subjective gaze, the camera angle and the off-screen characters. We have chosen a secuency shot because we find It very playfullness.
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Storyboard sketch for What if H2O What elements from one dance, film, event is intressting to re-creat with in an other medium? What elements from one dramaturgic curve is a pattern that you can re-use? What is the dancers, choreografphers, photographers idea? What do the audience see, feel, move with? Can we as choreographers stretch ideas yet save time with storyboards?
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Persons transport is not allowed Sequence shot recording from the exterior to the interior of a building recreating the Langre video from tier 10. Analysis of dramaturgy and recreation.
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Photo Dramaturgy Personal approach to past work which changed my perception of dramaturgy in the process of creation
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Dramaturgy play from DC syd "What if H2O" During the week in DC syd, Malmö, Sweden we played with dramaturgy elements of inside and outside, humans, institutions, groups, water. The WRECK n´roller also known as The Swedish colletive made a colletive effort of making diffrent ideas filmed and in dialouge. happy that the Swans happend to swin by ;-)
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Static shot Opera Of the Absurd Collective contribution from Tier 12, static shot version. CHECK PDF for more information.
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SWEDEN - dramaturgical dynamics The second part of our collective contribution.
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Travelling shot Opera pf the Absurd Collective contribution from Tier 12, travelling shot version. CHECK PDF for more information.
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Dragon Kenzo runs recreating the steps from the 14 second video from the starter.
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Ice Hot That Happened My mind through your eyes. When you’re physically stuck but the mind keeps on roaring and going and going and going with a loud silence. As if there are no limitations. Limitless.
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Dramaturgical dynamics of video Behind the things This is a PDF file describing dramaturgical dynamics of the Latvian collective contribution video “Behind The Things”.
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Behind the things This is a chaotic experience for kids of all ages.
It used to be just them four, but suddenly the tranquil life is interrupted by a 5G connection to Lord Shiva, which brings chaos to the structure. Four someones who used to be humans, find themselves stuck against the red wall of this madness. But through a crack in their consciousness a solution presents itself ushering in transformation. The four push away as if controlled by the finger of Lord Shiva themselves. The blue cloud of calm falls on their heads and they can finally feel the transformation taking place, the wave of peace and happiness slowly entering their bodies. For a moment they feel rays of sun touching their face and the light blinding the evil lord. They connect through their limbs. Is this finally what “normal” feels like, they are wondering? But in the silence tension is building, until it explodes into a fearful twerk party. WHAT IS GOING ON? Who is laughing now? Who even is this Lord Shiva? They keep seeing the world through each other's points of view constantly changing. It’s chaos. A sudden scream and now three of them are sucked in a rabbit hole by the force of 5G. Bang, bang, bang. The signal is twitching until it’s gone. The light now exposes the whole space. Three bodies sleeping by Christmas three and one foot in the front.
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Pretty little grandmas We recorded a child from our circle reading a script he wrote at school, and this recording became the dramaturgical line of this little video.
As a rotating group of artists, we didn’t recreate a previous scene. What we returned to instead were elements from earlier residencies: the location and the act of bringing in the performers’ children. As before, we asked what an artist is to a five-year-old and let their presence reshape the work.
We filmed in the same location as our second residency and worked within a two-hour time limit, using only what was already there, allowing something new to emerge, shaped by the space, the children’s voices, and the moment.
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stage setup
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iCoDaCo Netherlands