ICoDaCo_Delete_Account

Items

• Collage of desires
  This document is a collage of my roots, origins, past and present desires related to dance.
• Margarita Pizza on Master Street rider
  During our 5th week residency we elaborated on the concept of a grandiose broadcasted public space intervention. You can take a glimpse into our ideas by looking at the tech rider.
• Content Development Strategies
  The text presents strategies for content creation through observation, personal reflection, adaptive methods, and collaborative projects.
• Ants and sugar
  Using sugar, we influenced the paths of an ant “highway” and observed their movement patterns – serving as a basis for movement improvisation in the studio.
• Reclaiming the body through dancing
  My current desires in dancing in a nutshell.
• LIST OF TASKS
  Fifteen tasks collected on the first week. We all gave our inputs and still have the wish to try them all. A strong starting point and a nice week to remember as the first moments of the hungarian collective.
• TimeAsScienceAndPhylospohy
  As with the topic of sound my personal interest went again towards theory as well. Time also has a journey through the history of the human.
• ChallengingaTheMeaningOfChoreographyInspirations
  The more I think the more I feel that everything in life happening in any kind of space is a way of choreography and a way of composition. The human being has become accustomed to certain choreographies in life, and therefore no longer considers them special. In arty however, we can discover more and more ways to use and compose what is given which become special because of their unfamiliarity.
• Timelessness
  The eleventh chapter of this journey.
• Step zero
  I’m at step -1… but I believe that I will create something from this. For the outside eye it doesn’t say much, but stay tuned!
• Choreographies, creations examples
  In this document, I provide brief examples of how my works are created and how I then develop and shape them into formal language and performance.
• Visual letters
  Visual representation of the things what I wrote under the picture for the same tier.
• manY by Marcell Paszkál Hován and András Engelmann
  This is a photo from our duet with Marcell, called “manY”. It explores the different stereotypes of man, good and bad all together. The idea of shifting meanings and usage are interests me a lot. When the props and costumes become scenography, when there is another (the earth here) element which buries and creates a totally different landscape, when the audience have the time to look and reevaluate the objects. What is where and why them and not others? The opportunity to dig deep. Love it!
• Collage of foreign languages
  Different languages from every part of the Globe. They have rhythm, melody, meanings… is this music? How do they make me move? The tone, the volume, the cultures… how do all of these things affect my movements? What the difference is in the fact if you understand the words? Dance!
• Speculation
  We were experimenting with different audience setups, from which, one was a drone’s sight. This video is just a tryout of that apparatus. The idea was that in a futuristic piece (what is happening outdoors), where we have endless money, every audience member would get their own drone. They would have the authority to watch the piece from the angle, closeness and height of their desire. Endless opportunities, a never ending story of experiencing a show over and over again, getting a different insight every time.
• The Machine
  A content development strategy, what Helén brought in, and we worked on it to be our own. I really found it fruitful, to approach a topic (or create one) from different ways. You can read about it in more details.
• Reverso
  This is an audioguide to explore the building of SÍN Arts Centre. Helén Tamaskó wrote the text, I did the music montage from the album “Summvs” by Ryuichi Sakamoto and Alva Noto.
• What’s the point?
  The fourth chapter of my experiences in the program. I wasn’t happy in one hand, but my eyes opened for another sight.
• A lake, a forest, a mountain - ready to explore
  Three different things what interest me. One movement based, one state oriented and one theoretical. All of them need to be researched.
• Is it real?
  Everything was still quite new. The people, the program, horizontality, the boundaries. I followed the vibe of my previous individual contribution, writing down some key thoughts from the week. Worth to mention, that for a day we worked with a group of elderly. One important question about horizontal working and an answer rooted in belief. Also, debating the stake of the outcome of these research weeks. Which is represented with the whole document.
• Why dance (?) in a nutshell
  This was during our first week as a newly formed collective of seven individuals. What you can read among the lines, are mostly keywords/thoughts about my connections to dance as a movement (in 2024. end of November). Also one important question, a song and a little secret message.
• Choreography of the world inspired by BARAKA
  In this video, I have collected various choreographies: the movement of birds and the movement inspired by it, a dance inspired by the movement of the Danube, a dance of joy, a seesaw dance, movements created by various media and technologies, which for me constitute fascinating choreography. For example, the projection at Laurie Anderson's concert. I also included a solo piece where people sat around me outdoors and I attempted a 'time lapse' dance, like when we see a plant come to life or slowly wither away. The movement and emotions of the crowd after a match on the street, or the street performance in which I participated, occupy a special place in my heart as choreography. I can see all the time the world dancing, and I always recognize some choreography. I submitted my contribution in the form of a video because  in films a lot of times I was able to experience flow or catharsis, as the movements are choreographed in the scenes.
• StoryoftheBody
  Thoughts about the voice of a body, my body, a dancers body and a picture reacting back to the past where a story happened.
• UrgenciesInPersonalPrectices
  Written about three physical directions from that period of time as a personal perspective, urgency.
• WorkshopFlowDecisions
  The file containes personal emotions about our second week together. We even had the oppoortunity to lead a two hour workshop for the program of Fanni Lakos, a hungarian actress who worked together with women over 60 what I was amazed by.