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Orange scene The dramaturgical dynamics and relations of a scene from tier 4 (body politics) that we chose to reinterprete for this week.
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Fides Tua - Tigran Hamasyan This is a song called Fides Tua, played and composed by Tigran Hamasyan. The tier for this week was not music, but somehow music was very present for me and so I brought this song and danced on it with a large group of people, i was very happy becase they seemed to enjoy themselves through this song.
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Score A performative score based on the process of making tea, in which each step is accompanied by a specific movement or vocal action, linking everyday activity with bodily and sonic performance.
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Mouthed Heart From Tier 10, when I designed a mouth piece with a heart shape, I decided to execute it facing a mirroring, playing with the real and the fictional
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SCORE to create new dramaturgy on set Score created through the observation of a 14 sec video from the Spanish Collective from Tier 2.
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Movement Improvisation | 3 Phases Exercise A short clip of an improsition brought by Mercedes.
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Dramaturgy in 3 acts To let the body build a story without explaining anything
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Opera of the Absurd A description of dramaturgical dynamics between the different elements in the scene we choose to reenact from Tier 10 to create the "Opera of the Absurd" of Tier 12.
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everyone you hate is going to die to develop content, it helps me to read something not related to analytic artistic practice, but more kind of ordinary/simple stuff to put the weight down, laugh a little bit (or a lot).
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hello Miro Rough scatch of a map that i tried to see all areas of my activity within dance spread out, the idea was to scan where and how much energy am I giving to specific areas. As it happen by the end of 2024 it also serves as kind of a time capsule, not something I kept developing continuously, but time to time I come back to this way of mapping with new projects.
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without title on a walk with Tomáš to carry out our observations on phenomena beyond choreography.
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betraying ambition something I was reading during this residency, highly recommend.
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lunch break five minutes recording birds sining and drums drumming - how exciting!!
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Tom resonating
This appeared during an improvisation based on I don’t remember what exactly. The sound efect you can hear is caused by a mask made of aluminium foil.
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clouds what is the body of cloud? To which politics is exposed?
A body without fixed outline - that migrate - country - gender - opinion… clouds are collective - a cloud is breath air - and body politics starts on breath… control
The cloud is a political body: collective, unstable, surveilled, and breathing. It has no border, yet it is constantly managed.
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wohnungsgeberbestätigung all medias comes from having a room, a house, to give shelter. This shelter has a price that forces us to work. Working for art industry gives us special benefits and deep problems when facing this obligation
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Carla inspirational work references A contribution that I find relevant to this tier is the inspirational work references I provided and the sound track that I recorded and mixed. Differently to last week we were focused in our collective and on construction & deconstruction
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Carla Body politics: Individual Collaboration A week of discovery of how to work in the collective and with special guests, refugees, from an Asylum Center in Holstebro, Denmark.
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Mass-Producing Decision Graphs Committed to a score of mass-producing assumptions about decision-making processes in life and love and art and elsewhere, I set a timer and a parameter of colors to generate as many graphs within a limited timespan. Reading the dis/continuities of the assumptions shows the attunement to decision-making in many of my processes.
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Brief summary The text is an attempted summary of my findings through sharing about my artistic research at the ICoDaCo residency. It concisely describes how my work tries to make sense of the sensations of the system within which I produce my art.
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One articulation is through 1-2-3-4-5 words Grieving.
Embodied grieving.
Embodied grieving genocide.
Embodied trans grieving genocide.
Embodied trans femme grieving genocide
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3 topics / context / materials / theme I work with a methodology of consent.
I work on two kinds of content / materialisation of the methodology within the context.
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Slow down Exercise - for minimum 1 hour (but I encourage you to try 6) move on 10% of your normal speed while simply doing everyday activities, like washing dishes, cooking, reading, scrolling on your phone, having a shower or dancing (of course).
The life keeps moving fast outside of you, news in the background, water dripping because of the gravity.
Can you slow down not just your limbs, but your thoughts as well? What is possible and what’s not? How full simple activities can feel? How time feels afterwards?
This exercise can be seen simply as a form of meditation, as a way to practice controlled movement and awareness or as a quite protest against cult of productivity.
Warning! don’t plan anything important afterwards, you might feel extremely tired especially if you chose to do it for 6 hours.
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fragments of notes Observations and questions from the work with objects.
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listening crack in the door
During the week focused on sound, we invited Italian musician Elia Moretti, who is currently completing his doctoral research on the politics of listening. He led a small workshop for us on sound and listening. During one of the tasks, we were asked to listen to the room and to objects. This is one of the (short) recordings I made while listening through a crack in the door.