ICoDaCo_Delete_Account

Items

• Ghost of Maybe Forever
  Through a gradual process, we encountered an interesting task — “giggling joints” — and decided to work with it. During the process of exploration, a duet by Natália and Hanka emerged, which I navigated from the outside. This reflection is a record from an external perspective and a search for emotional references in the work Maybe Forever.
• Guess the sound and use as a rythm
  Paying attention to the sounds, this specific household sound made an impact on me and decided to record it. I will keep it as a secret but we all have done it many times in our homes. This little sprinkles reminded me of neural connections and improvising on this was also a very beautiful and calming experience
• Before Silence
  This Sound is a live sound recording done while visiting the exhibition about collapse "before silence" later we used this sounds to improvise on it and create ambience
• Talking about Venue Setting and Experience
  Reflection on our team work on performance setup for the audience
• Creation Process - my approach
  Sharing my creating process is reanalyzing my works and creative forces. I often wonder how does this things get connected so good so neatly? Is this how our mind works? Is this some "magic"? Or is this creativity in general? Who knowns... what I know for now is when you get in the creation process somehow new realm opens in your mind/consciousness, you become a vessel and something fills in you, that something gives you ideas, that something makes you wonder...
• Playlist of References
  In this given link i would love to present some of the referenced which were collected during this week's research process. Observing this directions inspires our creativity and pushes our limits into more creative approaches
• Personal Mixture of interests & ideas
  Brainstorming over the ideas which came to me during this period of time. Energy Consistency, Georgian Folklore and Natural Resources found some very interesting crossovers in my mind.
• What is dance for me? Personal reflection
  Within this document I wanted to share my personal reflection on the question of what dance in general is. I would go hours talking about its physical and philological states or impacts. Recently I got hooked on the myths and folklore of Georgia. These images are part of my research, researching dance "perpetuum mobile"
• What happens when you don’t get what you hoped for
  Some thoughts on the week we explored audiences experience and set up of the space… Thinking about audiences is perhaps our major commonality (in my opinion); the communal meeting point between three different artists with three different approaches from three different lived and artistic experiences.
• How was your arrival? Audience experience
  Interview about a fantasy audience experience and the spatial set up. Voice over by a BSL interpreter.
• How was your experience? Audiences and space
  How was your arrival? Transcript from the video on audience and spatial set up from the Wales Collective. You’ll explore how our fantasy work can be experienced.
• Begin with what is presenting itself…
  What are my content development strategies? It begins with something that is making itself know. I’ve been sitting with it a while most likely… I continue. A suggestion!
• Moving, questions to social video
  Video guide to how to approach making content, what you need and how you might approach it. To be used as a suggestion, prompt or invitation.
• Content made through moving, questions and social
  A short write up of how to approach content development with images of three black boards of instructions or menu of instructions. To be considered with the video instructions from us in this topic.
• The week of utopian thinking or was it?
  A word map which is a collation of workshop participants who joined us to test some ideas. The reconstruction of memory is an approach to my new work.
• It needs to matter - it needs people - tech ride
  Our tech rider for our fantasy show with instructions, list of who’s involved, who’s needed and what is needed.
• song talked to me (practise)
  This week we worked in the space with my proposition of the song It’s Probably Me, originally created by Sting. We were also listening to an interpretation by Gregory Porter. We tried different exercises, observing how the song moves us naturally and what appears in us while listening. By playing with listening and with changes in our attitudes towards it, I tried to develop a simple task-proposition for someone else -"song talked to me" This relates to how songs can communicate with us and how our attitude while listening shapes what we receive.
• Tier 12 - Dramaturgies - STARTER
  Tier 12 - Dramaturgies - Starter
• Who am I to talk about body politics?
  An essay about this topic with images… * Who am I to have anything to say about body politics?  * Is there anything to talk about with my own body in my work that feels relevant or that I have something new to say?  * Do I even have anything to say?  * How do I feel about what my body represents in the world, in the dance world, in rural Wales?
• The political body or the body politic
  A collection of moments captured around a rural town - Brecon/Aberhonddu. Meetings with the laughing biker, being manhandled, being lifted out of shop, a guy whose jaw dropped to the floor, some public tenderness and teenagers being open to something unusual outside a Gregg’s.
• MapOfTopics
  Map of topics as I see them right now. Body, nature and experiences. Words as inspiration or for rejection or for challenge. Take them with you!
• 5 themes to work from
  Themes x 5. The Body Communal non-hierarchical making Consenting to the unknown Experiences, intersectionality, spaces Universe, humanity, nature, activism To be used in any order or combination
• Urgent, what is urgent?
  Our visual recount of how we worked to create tasks - moving, writing, moving, writing, find a task! Too many ideas and contributions. What was the decision making process, we suggested, we danced, we worked through our bodies.
• Without dance we wouldn’t exist
  We need to raise the status of dance. We know it and recognise it but do others know it and value it. We know that there is huge value in the intelligence and the knowledge of dancers but do others? What are people missing (besides not having dance in their lives) when they do not move?
• The reality is… (full)
  The full map of our collective decision making process, funnels and receptacles with bottlenecks of ideas, histories and approaches. It suggests that there is space although tight to disagree and to be brutal, to agree and to converge. It is a continuum…