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Laying Down Still from a dance solo to Sol Garcia
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Aesthetics of abjection This pdf shows a score on how to reimagine places to challenge existing norms
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you are _here_ A situational awareness score that can be done anytime, any place. Start exactly where you are.
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Speculative Audio description in PT Exercise proposal as a starter to a speculative universe.
It's recorded in Portuguese.
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Júlio exercise proposal-personal video-tier 7 Personal dance offering created for Julio, blending intimate movement research with emotional presence. A silent gift shaped by rhythm, gesture and affection.
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Private video Video created based on a proposal that Júlio brought with the aim of recording an exclusive action/message for another member of the collective. Mine was for Aura.
"imagine...the girls around town in ensemble"
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#FINAL During the week, we have explored the audience's experience of our imaginary work through different practices. One of them was a field research on the public space where the imaginary work takes place where we observed passers-by. This inspired building different characters that are secondary audiences. (As the imagined work has only primary audiences in the online space.)
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Fictional interview Fictional interview with 2 members of the collective (interviewers) and 2 invited people (interviewees) about a speculative experience based on the floor plan and description of a hypothetical project.
Thanks to: Daria Yeremenko and Olia Xenabi
Video: Tomás Laranjo
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RékaOIndividualTier7 Réka Oberfrank individual contribution week7 Audience
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RekaOberfrankHungaryTier6 Reka Oberfrank Hungary Individual Contribution Tier 6
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Hands_Here There Workshop Children’s workshop at Skånes Dansteater
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Community outreach_Childrens exhibition Children’s exhibition
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Audience/Spatial setup Collective Contribution A fictional audience interview.
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Montage//Collage - contentdev This PDF contains an excercise as the individual contribution of Mate Czako from the Hungarian collective for Tier6.
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Interview with the audience after epic performance This is an interview with two imaginary audience members after an imaginary epic 4 hour performance that was experienced in 30 minutes.
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Private Video to Mercedes Video created through an exercise by Júlio with the prompt to record an action for another member of the collective, in my case, to Mercedes who often works with hands and Flamenco / Spanish culture, capturing multiple perspectives in an intimate teenager environment
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Carnivors' life A video reflecting on human's and cat's diet and ways to get meat
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Working Through Music and Song Sharing Music became a key tool in building connection and trust across languages and backgrounds. Each participant was invited to share songs that had a special meaning too them. These shared sounds created an intimate exchange where identity and emotion could be expressed beyond words. Singing, listening, and moving to each other's music allowed us to enter each other's worlds gently, creating a collective rhythm that shaped the improvisations and deepened our sense of belonging. The playlist we created became both a memory of the week and a living archive of the voices, moods, and stories we carried together.
https://open.spotify.com/playlist/1Ra1yoYjuxFUbfGv4W1YV3?si=6b8df2d2606c4b27&nd=1&dlsi=b9e074436a9c4024
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Unspoken Dances, Shared Worlds We had the joy and privilege of creating a space where bodies, stories, and cultures could meet. Together with participants from Vesthimmerland Asylcenter, we shaped a shared playground.
There was a quiet beauty in watching strangers become collaborators in witnessing how breath, rhythm, and small gestures turned into conversations beyond language.
The studio became alive: filled with drawings, writings, and reflections that slowly wove us into a temporary community.
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A Collective Exploration of Friction and Fragmenta Some notes on the process of exploring individual urgencies, fragmentation, and shared meaning-making. Through cutting up language, mapping concepts, and connecting fragments with string, the group worked with friction and tension to generate new subjects. The process culminated in a participatory installation activating the research as an open, living space.
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Cut-Up Subjects We approached our themes as unstable narratives, not fixed stories but fragments of language, concepts, and embodied urgencies. Through a process of cutting up words and disassembling language, we disrupted linear meaning-making, breaking open the materials into smaller units of sense and sensation.
Each word became a loose fragment, carrying multiple potentialities. With strings, we physically connected these fragments on the floor — not by logical associations, but by following friction, tension, and resistance. The stringing process exposed unexpected relationships, where words clashed, echoed, or destabilized each other.
Rather than seeking coherence, we embraced contradiction and dissonance, allowing new configurations to emerge organically. In these points of tension, new subjects surfaced, not as stable topics but as dynamic activation tools for further exploration. The act of cutting and connecting became a method for composing meaning through movement, touch, and relationality.
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PHAUNA: Audience Reflection on Space Collective members enact a fictional interview as audience members, reflecting on the spatial apparatus of a performance.
The imagined experience begins before entering the main stage, as spectators pass through a transitional corridor, where shifting lights and textures begin to activate the senses and open the audience towards the work.
Upon entering the performance space, the audience is seated in a soft circular formation that can expand or contract, allowing fluid proximity between performers and witnesses. The spatial apparatus creates a porous boundary where the audience becomes part of the living scenography made of huge projections, and trash installations.
A central element in the performance is the live interplay between performers and light, with the light designer present on stage as an active performer. Light becomes a co-creator of space, atmosphere, and relational dynamics, continuously shaping the spectators' sense-making, intimacy, and engagement. In the interview, the fictional audience members reflect on their affective and sensory experience, the feeling of being hosted, and the speculative relations generated between bodies, material, and light.
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Woven wood Collective reaserch proposed by myself to the collective
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Wooven wood Questions posed at participants during the reaserch
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Weawing wood - reaserch Reaserch on family tree/weaving wood