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A list of reasons A list of reasons of the method we worked with during the week.
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LONG SKIRT Reflection about a costume that i've underused in one of my works.
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Mouth piece Mouth piece inspired by the intuitive dance we created while listening the Danish sound (Tier 8) and Alexander McQueen jewelry pieces
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Mouth piece Mouth piece inspired by the intuitive dance we created while listening the Danish sound (Tier 8) and Alexander McQueen jewelry pieces
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Sharp Flamenco #1 Choreographic composition exercise throught improvisation having as a starting point: breathing and sharp movement.
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Sharp Flamenco #2 Choreographic composition exercise throught improvisation having as a starting point: breathing and sharp movement.
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Intuitive improvisation / Netherlands Group improvisation using the music from the Netherlands collective
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Intuitive dance Intuitive dance and choreographic composition using the audio from the Spanish collective.
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SWEDEN collective contribution - addition The seventh perspective.
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SWEDEN collective contribution This is how all our perspectives exist in one place at the same time.
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How Can All Our Perspectives Exist in One Place At How Can All Our Perspectives Exist in One Place At The Same Time
AdeY. Tier 10.
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Nea’s Angle SCORE: ”How can all our perspectives exist in one place at the same time?” / my angle
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Khamlane’s angle The score was: How can all our perspectives exist in one place at the same time? We set up each of our phones to film our perspective and recorded simultaneously, then played back the footage simultaneously and recorded this, so all the movement could exist and be experienced at the same time.
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Moa’s angel in Ärlegården DCV In Sweden, City of Gothenburg Place Ärlegården Home of Danscentrum Väst. This Collective of six did a Dance. This is my angel
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individual contribution movement
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Solo duett My part of the collective contribution.
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Sound mashup A mashup of Sinnerman by Nina Simone, Breathe by the Prodigy and myself playing accordion + vocalising. It’s a soundtrack to accompany a performance with only fat dancers performing.
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Morphing berimbau
Drawing on the morphing structure which encourages tonotice something about a movement and morph it into that direction, I’ve explored the Afro-Brazilian instrument berimbau. Inspired by collaborative work with the Latvian ICoDaCo team
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Object of play Exploration of an object in space. How is it my partner in contact and apart from me? Inspired by the unrest of Sabīne Neilande.
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Feet on the floor
I’m working on a new project. I’m always working in silence.
When I showed it to others, they said there is something about the sound my feet on the ground make.
Should I make sound track for the performance out of it?
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Rolling on the rocks Lately my interest have been in exploring different movement ideas in a site specific setting and then bringing them into the studio. How the environment can be inspiration for the movement?
This way of working helps me to create movement that’s not sterile and disconnect to what’s happening around it.
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Autumn morning
A soundscape inspired by the quiet magic of early autumn mornings — where mist, dew, and cold air meet gentle warmth. Soft tones and subtle pulses evoke mystery, stillness, and the spark of new inspiration.
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Mov and emotions Which emtions are inside dance?
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Mov and humor Which emotions are inside mov?
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Mov light and sound Opening movemnt via light and sound