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Items

• The same road, different time
  Part of the day I spend on the road, which is often exactly the same road as yesterday, the day before, and a year ago. Yet the feelings about the length of this road always change. Sometimes it drags on for hours, sometimes it feels like a moment, even though according to the clock it always remains the same duration. What happens to us in that stretch between point A and point B? While being on the road, in transport, we stand together in order to move forward. We stand, but we are faster than those who walk. What is time on the road?
• The dance exists before it happens
  The dance exists before it happens Enter Begin
• Dismantling the master’s clock
  “Dismantling the master's clock” is a reference to Audre Lorde's essay “The Master's Tools Will Never Dismantle the Master's House.”
• Affecting and being affected
  This is the live sound generated by the piece ‘La velocidad de las cosas’ performed and created by Mónica García, and premiered in 2011. In the piece, the movement of the body in contact with a metal surface, acting as 6-square-meter floor and equipped with microphones, generated a sound environment that in turn affected the movement. The body affected and was affected in a continuum that, in turn, generated a shared present with the audience.
• Decision making highlights
  Two collective highlights of my Tier2. An exercise in which repetition, listening and syncronization plays an important part an through which I experienced a different method of being alone but staying in the collective. And a workshop we held for a group of women over 65 based on the tasks we experimented with this week.
• SEIZE THE MOMENT / Atrapar el momento
  Seize the moment, Seize the moment, Seize the moment, Seize the moment X 3 Seize X 5 The moment What's up, everyone? We're here with our people, seize it. Shout out to Sticks and Stones. Sticks and Feathers. OHHHH It was worth it! Val
• The body's starting moment, all connecting, and th
  The body's starting moment, all connecting, and then the sound arrives to interrupt the skin
• Poem as a source
  A simple task experimenting with poetry and dancing.
• Sing like you´ve never sang before: KARAOKE
  Practicing singing and voice in a performance set-up. Assigning roles to everyone in the group and changing them. Being always observed and feedbacked.
• Re-using objects from your home in your practice
  Exercise in which you dance, move, play and practise the work with objects. Finding performative usage of the particular thing that is shaping your movement, determining quality, setting the atmosphere, limits you.
• Collage of desires
  This document is a collage of my roots, origins, past and present desires related to dance.
• Margarita Pizza on Master Street rider
  During our 5th week residency we elaborated on the concept of a grandiose broadcasted public space intervention. You can take a glimpse into our ideas by looking at the tech rider.
• Content Development Strategies
  The text presents strategies for content creation through observation, personal reflection, adaptive methods, and collaborative projects.
• Ants and sugar
  Using sugar, we influenced the paths of an ant “highway” and observed their movement patterns – serving as a basis for movement improvisation in the studio.
• Reclaiming the body through dancing
  My current desires in dancing in a nutshell.
• LIST OF TASKS
  Fifteen tasks collected on the first week. We all gave our inputs and still have the wish to try them all. A strong starting point and a nice week to remember as the first moments of the hungarian collective.
• TimeAsScienceAndPhylospohy
  As with the topic of sound my personal interest went again towards theory as well. Time also has a journey through the history of the human.
• ChallengingaTheMeaningOfChoreographyInspirations
  The more I think the more I feel that everything in life happening in any kind of space is a way of choreography and a way of composition. The human being has become accustomed to certain choreographies in life, and therefore no longer considers them special. In arty however, we can discover more and more ways to use and compose what is given which become special because of their unfamiliarity.
• Timelessness
  The eleventh chapter of this journey.
• Step zero
  I’m at step -1… but I believe that I will create something from this. For the outside eye it doesn’t say much, but stay tuned!
• Choreographies, creations examples
  In this document, I provide brief examples of how my works are created and how I then develop and shape them into formal language and performance.
• Visual letters
  Visual representation of the things what I wrote under the picture for the same tier.
• manY by Marcell Paszkál Hován and András Engelmann
  This is a photo from our duet with Marcell, called “manY”. It explores the different stereotypes of man, good and bad all together. The idea of shifting meanings and usage are interests me a lot. When the props and costumes become scenography, when there is another (the earth here) element which buries and creates a totally different landscape, when the audience have the time to look and reevaluate the objects. What is where and why them and not others? The opportunity to dig deep. Love it!
• Collage of foreign languages
  Different languages from every part of the Globe. They have rhythm, melody, meanings… is this music? How do they make me move? The tone, the volume, the cultures… how do all of these things affect my movements? What the difference is in the fact if you understand the words? Dance!
• Speculation
  We were experimenting with different audience setups, from which, one was a drone’s sight. This video is just a tryout of that apparatus. The idea was that in a futuristic piece (what is happening outdoors), where we have endless money, every audience member would get their own drone. They would have the authority to watch the piece from the angle, closeness and height of their desire. Endless opportunities, a never ending story of experiencing a show over and over again, getting a different insight every time.