ICoDaCo_Delete_Account

Items

• Choreographic Lines #7
  Falling lines of tape.
• Choreographic Lines #6
  Aura improvising with Choreographic Lines of tape.
• Choreographic Lines #5
  Júlio improvising with Choreographic Lines of tape.
• Choreographic Lines #4
  Júlio improvising with Choreographic Lines of tape.
• Choreographic Lines #3
  Aura improvising with Choreographic Lines of tape on the floor.
• Castle
  Final composition from the exercise ‘Castle’ which consists in each person (re-)positioning an object in the space
• Choreographic Lines #2
  Sol improvising with Choreographic Lines of tape on the floor.
• Dioscorea Mexicana
  The Dioscorea Mexicana, also known as Mexican Yam, is a revolutionary plant from the XX century, since it’s rich in diosgenin which was extracted to produce oral contraceptives and synthetic hormones, I used one of this plants in my show and I wished I used many more to research on queer ecologies and alternative ways of accessing HTR
• Choreographic Lines #1
  Members of the portuguese colletive playing with choreographic lines made of tape.
• Choreographic Lines | Set Up
  Drawing the lines of the body, lines of support and creative lines.
• GoldenLady
  My object is gold
• Golden tape
  This object merges the props brought by Mercedes (gold) and Júlio (tape) that gathered the collective attention
• [Smell of beeswax]
  Riverbed made from cotton fabric impregnated with beeswax. Handcrafted construction invented for the creation of a metaphorical river. Its potential lies in focusing on a community task that generates shared conversations.
• Think inside the box
  This is the scenography element from performance “Femina” (2022) by choreographer Sabīne Neilande and scenographer Līga Ūbele, both Latvian collective members. This specific box was actually found in a dumpster and used only in rehearsals, because it turned out to be too small for one dancer. But during this residency week we explored different possibilities, and it turned out to be big enough for at least three people and became a space for many choreographic experiments. It opened up layers of associations -it’s a transformer, it grows limbs, it’s a mythological hybrid fairy, it’s an optical illusion, it’s a practical table, it’s a coffin, it’s a mermaids tail, it’s a Hesburger drive thru where you can pick up dead mouse and spiders meal on the way.
• The original y_face
  I’m the original face from which a copy was made. This vid contains my permission for people to virtually wear the 1st copy (but to not be obscene or offensive with it).
• Y_face?
  Khamlane Halsackda’s head, 3D scanned with Polycam and slightly edited in Blender.
• Exercises on SOUND/MUSIC for tier 8.
  This individual contribution contains exercises for Tier8/SOUND/MUSIC, examining the conscious and instinctive, direct and indirect effects of sounds, music, or any audio input on me as an artist and as a person.
• Vocal cords sinking
  folds of membranous tissue which project inwards from the sides of the larynx to form a slit across the glottis in the throat, and whose edges vibrate in the airstream to produce the voice. like this
• Workshop in light design
  Workshop by lighting designer Dani Miranda and interdisciplinary artist Naia Burucoa. It was a dynamic 4-hour beginners workshop that invited artists of all backgrounds to explore the creative world of stage light design. Tailored for performers, visual artists, and creatives new to lighting, a hands-on session covering the fundamentals of light as a storytelling tool—blending technical insight with artistic intuition.
• Villa Soundscape Asturias
  A moment to walk, to breathe, to be in Asturias, listen to everything, saving it in the memory of the body, a body that was born here and everywhere, that is changing every moment and still remembers.
• Czech Collective Sound Collage
  Our goal was to use the sounds we worked with during this week (tier 8) and create a single composition that would work independently. During the week, we were generally interested in acoustic resonance, specifically vibrations through voice and body, bone resonance, folk songs, working environment sounds, and personal recordings from mobile phones.
• VISUAL AUDITORY KINESTHESIC INDIV CONTRIBUTION
  Individual contribution of Tier 7 by Alba Fernández (Spanish Collective)
• Individual contribution Bal TIER 8
  How do I use de sound?
• THE VALUE OF LIVE MUSIC
  Individual contribution of Alba Fernández, from the spanish collective, related to the "sound" tier.
• The Misperception of sound
  The Misperception of Sound by the Wales / Cymru Collective - over a week of research that explores how sound functions in a Deaf and hearing collective; the sounds of fluent sign language, the sounds of learning sign language, the attempt at movement and sign language in tandem, blindfolded movement translation of sensations and a lunch time drill. The work encapsulates the range of sound we work with as well as the observation of the continual hummmm of sound pollution that’s all around us. It’s recommended that you play this on a large speaker. Sit next to it.