ICoDaCo_Delete_Account

Items

• Tier 8 (15-21.09. 25) Collective Contributions swe
  Tier 8 (15-21.09. 25) Collective Contributions swenden
• Georgia/Tier 8 - collective contributions
  Tier 8
• Sweden - Description of audio
  Description of the sounds included in the multitrack - sound/music contribution.
• Sound investigation suspended in air
  Investigation: 1) suspension, spinning, and bouncing a lamenting body in space 2) body free in air, bouncing 3) kulning (nordic herding call) and whale duet
• Weekly process and investigation
  We experimented with sound through lamenting bodies spin, bounce, and drift through water, ropes, breath, and waves. Kulning, whale song, healing frequencies, meditation music, and Elvis weave a soundscape between grief and tenderness.
• Clay
  Clay in the sea
• Sound recording
  Haaaaaa
• Bodies
  Hello, i love you
• Hello, i love you 3min
  0:00 – 0:15 Metallic breath in a centrifuge-like motion. A meditative tone fades in beneath. The sound is pressed, as if underwater. 0:15 – 0:30 Underwater textures surface. The metallic breath grows more intense, strained - a distorted lament. A voice enters, saying “hello.” 0:30 – 0:45 Whale sounds rise above the soundscape. A voice sings “I love you.” Pleasure and painful tones overlap. Another voice calls “yeah babe, it is crossing my nuts.” Layers stack on top of one another. Distortion rises under the voices, glitching like torn tape. Whale-like resonance stretches in long, sweeping tones. The atmosphere feels both human and oceanic. 0:45 – 1:15 Vocal fragments multiply — “hello”, “I love you.” Distorted moans and cries weave into the mix. Whales sustain long calls.. 1:15 – 2:15 Elvis Presley sample enters: “Wise men say, only fools rush in, ’cause I can’t help falling in love with you” His silky, grooming studio voice contrasts with the raw surrounding layers. The texture thickens into a call-and-response between Elvis, whales, and distorted voices. Around 2:00, high sonodynamic frequencies emerge, shimmering. The track feels suspended between sea depth and human reach. On top of everything, siren-like crescendos and metallic breath drive the intensity. 2:15 – 2:45 Release: the dense layers thin. A voice speaks clearly — “that was really beautiful.” A distorted kulning (Nordic herding call) appears, stretched and metallic. Breath textures return, blending with whale tones.
• Latvia-Skanaiskalns/Sound Mountain
  Sound and music collage by Latvian collective
• Netherlands
  Tier 8
• Netherlands
  Tier 8
• A text that linger on Listening in Borås
  A small text lingering in on Listening
• Individual contribution_ Sol Exercise
  Exercise proposal. Choose a music that take you to a specific place in your memory. Focus on how each sound touches your body: Where do tou feel it? In the chest, the skin, the belly, the bones? Write down some words that capture these sensations (buzzing in the ribs, pulling behind the eyes, sharp in the throat) Try to reproduce it with your voice and record them, so you can ear them how many times you want. Each person of the group used the sample with all the sounds recorded and do it owns mix. This is my mix to my proposal. After to a phusycal materilization to you own collage. Reflection proposal: What does sound to my body before I even notice it with my ears? When I remoce the sound, what remains in the body? Does the sound lead or follow in my creative process? What kind of presence does silence bring?
• Pasión Violento
  This is a small movement research practice where I created a small dance solo for a song mixed by me with sounds from every member of the Portuguese collective.
• Tier 8 (15-21.09. 25) Individual Contributions swe
  My Inspiration for sounds
• Surface Slowed Sound
  I wanted to quickly play with the sounds around me and realised that when I videoed with my phone (slow mo mode) this also slowed the sound in play back. It set up something interesting with the audio and visual all at once.
• Memory Assemblage
  This audio created by me is a result of a mix of all vocal contributions of the Portuguese collective. These sounds were created from a personal affective memory connected to a song that is relevant for us.
• Vibratory
  As part of the exercise ‘Vibratory’ proposed by Aura to the rest of the collective
• Aura holding Ayango
  Short exercise action with the sound created by Aura for Sol’s exercise on music and memory
• Portugal - Description of audio
  This a description of the audio ‘The day we did not sleep’
• The day we did not sleep
  The result of week 8 residency. Sound Collage/construction using some material that was built trought the week.
• Here There Workshop
  Images from Here There Workshop.
• Development
  This is an example of developing, that comes from inspiration - coincidence and spontaneous decision making. - It was raining - Storm started - No people in the streets - An inspiration to go outside - Observe the situation - Begin with the movement inspired by the rain, empty streets, thunder storm.
• Summer audience diary. (Week 7 contribution)
  I decided to make a Summer audience diary. Sharing my thoughts about the experience throughout summer. Summer was full of audiences. I kept meeting them, losing them, looking at them, feeling them, wondering who was watching whom.