ICoDaCo_Delete_Account

Items

• Invading space - Reclaiming bodies_7
• Invading space - Reclaiming bodies_9
  This image is part of a series of images titled Invading space - Reclaiming bodies - SERIES, which is a collective contribution to tier4.
• Invading space - Reclaiming bodies_2
  This image is part of a series of images titled Invading space - Reclaiming bodies - SERIES, which is a collective contribution to tier4.
• Invading space - Reclaiming bodies - SERIES
  The individual pictures were taken, at places where something nonconsensual happened to our bodies. Inside the studio on the group images we worked with the real experience, while in the outside, on the real locations we searched for answers to past events with our bodies in the present.
• Invading space - Reclaiming bodies_1
  This image is part of a series of images titled Invading space - Reclaiming bodies - SERIES, which is a collective contribution to tier4.
• art tools thinking
  My current inspiration lies in engaging with as many artistic disciplines as possible and allowing each to articulate my ideas in its own language. I begin with drawing, but it transforms into singing, which in turn becomes dance, and so forth. Within each discipline, I seek to explore its unique capacities — to engage with what makes each form distinct. For instance, in singing, I experiment with the abstraction of the voice; in dance, I explore the anatomy. I find this interdisciplinary approach inspiring not only as a foundation for creating artworks but also as a mode of thought. It enables a form of thinking that feels multidimensional — as if I could think with more than one mind.
• themes_MateCzako_FORGO
  3 topics/contexts/materials/themes which are currently urgent for me and my work on an individual level. Their details and their role in my creative work can be found in the PDF itself.
• Different approaches for collective decision making
  We spent the week thinking about topics or themes that are urgent for us individually and proposing them to the collective for finding shared interests and common causes. Beyond this, we have mostly experimented with diverse decision making processes that span a wide range of approaches from authoritarian decision making to drawing tarot cards and intuitively interpreting them to arrive at a decision. However, the democratic decision making seemed the most familiar or comfortable for the majority of the collective as we eventually chose that for our contribution. The particular voting system that we used as democratic decision making is introduced in detail. The audio is also supported by a written document.
• Destruction, connection and constructive horror: Thinking about urgent themes
  As part of an individual work, I structured the topics that currently interest me the most. This document is a description of those.
• Game of verbal positioning
  A brief playful insight into the physical sensations that the style of phrasing evokes in me.
• Flexible statements of repetition
  This is the illustration of a phenomenon we realised through a task proposed by Helén Tamaskó, based on a 'Tuning Scores' exercise. The task was to move in a repetition with 2 other people, and when you feel connected with the others, say 'start' and close your eyes. With the eyes closed, keep on being in unison, but change your movement as you feel the others are changing it too. The action I do in repetition feels like a statement. To constantly try and change a bit your repetition in order to be in unison, and all of this with closed eyes, seems a very beautiful way to be flexible in your statement. To not give up your own but still aim for a common reality - it's not a compromise but a tuning.
• EVERYBODY IS A GENIUS
  In theatre impro situations, there is a basic rule : " Your partner is a genius" aka go with the flow, also known in other contexts as "yes, AND" attitude. Last week - and the week before - we operated according to this decision mechanism most often. Every word and idea of the week was equally significant and all without exception made it into the weekly work plan, and then organically in proportion to time and energy they were or were not implemented. And we were all OK with that. However, an important circumstance is that there is no real stake in our decisions at the moment - there is an invitation about the format to the weekly contribution, but it is free enough to allow anything to be included. We are not preparing for a performance, but if we do, 7 artists with different tastes, styles, desires, backgrounds... when there is no possibility for so many "yes, AND "s, and yes we should say then “NO”s. - so as a decision mechanism, it is really specific. This is what I wanted to share, that I felt no real decision in these cases.
• Waiting and drifting video edition
  Waiting and drifting appeared in two decision making processes this week. There is a situation where the need for a decision arises, but the group collectively drifts into sustaining the current state (waiting) and not gonna make that decision until it becomes unavoidable. This drifting can be conscious or subconscious. Consequently, certain decisions may be excluded.
• Organ Concerto in A minor, BWV 593 (Bach, Johann Sebastian) - UNPLUGGED on electric organ
  A Technical Rider of a fictional/utopian/imaginary work by me that derived from your starter. The performance is the second in a series, the first part rider also included /The Raven (GoGo Penguin) - UNPLUGGED on drums/.
• Reverso Audio guide
  This audio guide was made in collaboration with András Engelmann for a community event of Sín Arts Centre. I mostly worked on the content of it while András edited the text and the sound. Our inspiration was the research and exchanges of the week about modality/mode/media and our common curiosity in the audio guide format. This audio work guides participants through an exploration of the spaces of Sín, however, it could also be applied for other spaces. It is in Hungarian but you can also find the transcript in English.
• Dream and Erin Manning
  On the week of Tier 5, I dreamed this. At this Tier, I also came across the works of Erin Manning. I find dreams and Erin both very inspiring.
• Hungary
• Hungary
• tier 5 - personal contribution - jonathan
• Jonathan Personal contribution tier 3
• personal contribution. jonathan
• Georgia
• Georgia
• leaving traces that will be erased
  Walking on the snow leave traces that will disappear as soon as a second storm comes. Which decisions you make doing crisis? can I know you better under stress? Decision are temporary! Choices are humble reversible and gentle.
• Unstable Mappings
  Lines cross, drift, and fold into each other, mapping not a place but a process. It traces negotiations between bodies, consent, space, sound, and uncertainty, a cartography of relationships that shift as soon as they are drawn. Part score, part memory, part speculation, it shows how we move together: not in straight paths, but through loops, fractures, overlaps, and soft collisions.