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Viola Davis speaks at Women's March
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stacking hierarchy
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Chosen by a Flower - Thoughts on Dramaturgy Dramaturgy for "Chosen by a Flower" video.
In this text document Georgian collective explores dramaturgical development of the video which was based on the inspirations from Tier 7
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pollination The nectar of a flower and the pollination by a bee form an invisible pact between living beings — a delicate balance of giving and receiving, where no side dominates. Ecology emerges here as an ethic of interdependence, in which movement, labor, and care generate the future. The bee is not merely a carrier, but a keeper of memory, preserving continuity from flower to flower.
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Body_Politics
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Animal-me
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body fades
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Individual contribution - Jara Semper
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without title this is my first ever costume design - multiple leayers/imprinst of the body in the front/back or sides for a performance in which the dancer walks up the hill and see how the layers change in relation to gravity.
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Entering the circle of stones, the second scene in Entering the circle of stones, the second scene intensifies this curiosity into obsession. The man abandons his original path, drawn into mystery as chimes, heartbeats, and fleeting apparitions heighten tension and emotional depth. In the third scene, the encounter with the mage marks a rupture: fear, astonishment, and hypnosis dissolve reality into a magical realm. The fourth scene signals transition—barefoot movement and a shamanic voice carry the man beyond the known world. Finally, in a new space, harmony emerges as he dances with a flower-like structure. Tension releases into connection, care, and ultimately transformation, as both fall and merge into a shared, fragmented rebirth.
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dirt photo of dirt on a window, washed dow the roof of a subway close to the residency. nice dramaturgy.
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time task this is a task, where you dance and send a letter to your future self.
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Orange scene recreated The recreation of a scene that we chose from tier 4 (body politics)
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Orange scene The dramaturgical dynamics and relations of a scene from tier 4 (body politics) that we chose to reinterprete for this week.
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Fides Tua - Tigran Hamasyan This is a song called Fides Tua, played and composed by Tigran Hamasyan. The tier for this week was not music, but somehow music was very present for me and so I brought this song and danced on it with a large group of people, i was very happy becase they seemed to enjoy themselves through this song.
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Score A performative score based on the process of making tea, in which each step is accompanied by a specific movement or vocal action, linking everyday activity with bodily and sonic performance.
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Mouthed Heart From Tier 10, when I designed a mouth piece with a heart shape, I decided to execute it facing a mirroring, playing with the real and the fictional
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SCORE to create new dramaturgy on set Score created through the observation of a 14 sec video from the Spanish Collective from Tier 2.
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Movement Improvisation | 3 Phases Exercise A short clip of an improsition brought by Mercedes.
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Dramaturgy in 3 acts To let the body build a story without explaining anything
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Opera of the Absurd A description of dramaturgical dynamics between the different elements in the scene we choose to reenact from Tier 10 to create the "Opera of the Absurd" of Tier 12.
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everyone you hate is going to die to develop content, it helps me to read something not related to analytic artistic practice, but more kind of ordinary/simple stuff to put the weight down, laugh a little bit (or a lot).
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hello Miro Rough scatch of a map that i tried to see all areas of my activity within dance spread out, the idea was to scan where and how much energy am I giving to specific areas. As it happen by the end of 2024 it also serves as kind of a time capsule, not something I kept developing continuously, but time to time I come back to this way of mapping with new projects.
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without title on a walk with Tomáš to carry out our observations on phenomena beyond choreography.
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betraying ambition something I was reading during this residency, highly recommend.